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Noteworthy tracking shots include: Labiche attempting to flag down a train, then sliding down a ladder, running along the tracks and jumping onto the moving locomotive—performed by Lancaster himself, not a stunt double; A scene in which the camera wanders around Nazi offices that are hastily being cleared, eventually focusing on von Waldheim and following him back through the office; A long dolly shot of von Waldheim travelling through a marshalling yard at high speed on a motorbike; Labiche rolling down a mountain and across a road, and staggering down to the track. Frankenheimer noted on his DVD commentary that Lancaster performed the entire roll down the mountain himself, filmed by cameras at points along the hillside.

During an interview with the History ChannelFrankenheimer revealed: The marshalling yard attacked during the Allied bombing raid sequence was demolished by special arrangement with the French railway, which had been looking to do it but had lacked funding. The sequence in which Labiche is shot and wounded by German soldiers while fleeing across a pedestrian bridge was necessitated by a knee injury Lancaster suffered during filming - he stepped in a hole while playing golf, spraining his knee so severely that he could not walk without limping. When told that Michel Simon would be unable to complete scenes scripted for his character as a result of prior contractual obligations, Frankenheimer devised the sequence wherein Papa Boule is executed by the Germans.

Jacques Marin 's character was killed for similar reasons. Colonel von Waldheim Paul Scofield is told, at the scene of the last major train wreck, by Major Herren Wolfgang Preiss"This is a hell of a mess you've got here, Colonel. Colonel von Waldheim was originally to engage Labiche in a shootout at the film's climax, but after Paul Scofield was cast in the role, at Lancaster's suggestion Frankenheimer re-wrote the scene to provide Scofield a more suitable end—taunting Labiche into killing him.

Frankenheimer remarked on the DVD commentary, "Incidentally, I think this is the last big action picture ever made in black and white, and personally I am so grateful that it is in black and white. I think the black and white adds tremendously to the movie. A brief montage ends the film, intercutting the crates full of paintings with the bloodied bodies of the hostages, before a final shot shows Labiche walking away. The shots span from Paris to Metz.

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